Whether you are starting your texture library from scratch or building upon an already well-furnished folder, check out creative director, Bec's suggestions for using texture in 2023.
You can get so much mileage from a few tie-dye textures. Cut them up, make new variations of them, and create more stylized tie-dye designs like the Ulla Johnson pre-fall examples. Or strip them back and use them as a non-print print for a more sophisticated market, home, or menswear (Scotch and soda).
Clockwise from Top: Ulla Johnson, Raquel Allegra, Scotch...
Materials can dwindle quickly in our commercial studio of 15 designers. And, like you, we’re on a budget. If there’s anything we can do to get the absolute most out of a tube of paint, brush or pad of paper, we will!
So here's how we rein in our art supply spend, in hopes to get you through this holiday season with piles of beautiful, completed work and your credit card in one piece.
Unlike acrylic or oil based paints, when a blob of gouache or watercolour dries on your palette, you can use it again. Wet it...
Read on and favourite this page for future reference!
Bec: Good question. If your style is naturally very detailed, you would just take that across into your skins where you might use more detail in the hair of the skin or the movement, you'd be more detailed in the way you draw a flower.
If you are very loose and abstract you would still take that same handwriting into paisleys or animal skins. I think it's just practice and finding the right methods for your handwriting. What do you think Lola?
Lola:...
Words by Erin, Digital Design Media Manager
When we stumble on a successful approach to well, anything, it’s natural to want to repeat it. Maybe there was a design style that sold really well for you last season and you’ve reinvented it few times since. You have the formula down and now it’s fast to produce. You’re moving at a rapid rate but your work is starting to feel too familiar. “There’s a lot of competition for textile sales out there and if you are not providing enough variety then your designs are not appearing new” says creative director, Rebecca. “Customers always want the ‘newest and...
Written and produced by Erin, Digital Design Media Manager
Look around you. On your desk you might see a pretty notebook, mug or phone case.
If you’re in your bedroom there might be a floral bedspread, a stripe wallpaper or a polka dot pillow.
Have you got dresses? Skirts? Trousers? Or workout gear?
Photos: Joyce & Girls; Monte & Lou; Ralph Lauren; Lulus; Ell & Voo at Rebel Sport
These may be feature florals, checks, paisleys, tropicals or tie-dyes.
So basically, any art created to be mass produced on a product surface is considered surface design. And that counts for every kind of product. Homewares, accessories and also fashion apparel.
The pattern part of the term “surface pattern design” of course refers to repeated...
Words by Erin, Digital Design Media Manager
First of all, congratulations for being on this design journey — wherever you are, whatever stage you’re at.
You've made the wonderfully rewarding decision to nurture your passion for print. The fact that you are even reading this blog proves it!
You are doing the work and putting it out there. And we know that can be scary. Even the simple act of putting brush to paper, and not sharing it online will expose you to the worst critic there is….. yourself.
We know here from personal experience how awful that inner nag can sound.
...“My painted rose doesn’t look anything like I wanted!”
“I have published my digital folio but had no interest in my work!”
“I’m a failure.”
“I’m not a good enough artist to be in print design”
“I cannot complete this print in Photoshop, but I should be able to!”
“My work is rubbish.”
Written and produced by Erin, Digital Design Media Manager
If you're reading this you're on the path. You want to make a solid living from your surface prints and we congratulate you on that! You've made the decision to create the life you've always dreamed of.
But we don't want to lie. Making it in this competitive biz takes work and a lot of learning about the print industry and how it operates. The good news is, we've created a course so we can explain everything in-depth to you. Check out our Comprehensive Business Builder for Surface Designers and sign up for the waitlist right here.
So you know that, within the realm of fashion,...
Three students of our Comprehensive Business Builder for Surface Designers e-course had a burning question for Longina. Read on for her direct reply to them over Zoom (transcribed and repeated here for you lovely blog readers!).
Some clients do get very upset if you post without their permission and it's better to avoid that argument. It does rattle you because you think, Well I've done all the hard work, I should be able to post it. But ask for their permission first, or if it's already in the marketplace [in stores etc.] then it's usually fine to go ahead and...
Words by Lyndsay, Creative Lead and Senior Designer.
Struggling to create at a commercially viable pace? You’re not alone. Keeping productivity high in the fast-paced world of fabric design is a daily challenge, even for those of us who have been in the game for years.
But, while we Longina Phillips Designs designers can sometimes find it hard to fly through a brief, we have one important ace up our sleeve: Adobe Photoshop training. Or, more specifically, certain skills that help us complete a job much faster than when following textbook (aka. more longwinded) processes.
Fellow designer Steph and I recently sat down with our lovely social media coordinator, Morgan to chat about pace and productivity and the Adobe Photoshop training that has helped speed our work the most.
Lyndsay: For sure. I remember being at university...
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