Words by Erin, Digital Design Media Manager
First of all, congratulations for being on this design journey — wherever you are, whatever stage you’re at.
You've made the wonderfully rewarding decision to nurture your passion for print. The fact that you are even reading this blog proves it!
You are doing the work and putting it out there. And we know that can be scary. Even the simple act of putting brush to paper, and not sharing it online will expose you to the worst critic there is….. yourself.
We know here from personal experience how awful that inner nag can sound.
“My painted rose doesn’t look anything like I wanted!”
“I have published my digital folio but had no interest in my work!”
“I’m a failure.”
“I’m not a good enough artist to be in print design”
“I cannot complete this print in Photoshop, but I should be able to!”
“My work is rubbish.”
Read Maxine's story in her own words, below.
I knew it was not the most profitable of career choices. So I put my dream on the back burner for many years so I could afford to travel overseas and buy a house.
After losing my friends I felt like life was too short to not do what I love so I went about making my children's book illustrating dreams a reality.
I am painting up the final illustrations for a book.
When illustrating children’s books I mainly use watercolor, colored pencil, and aquarelle crayons. For my...
Written and produced by Erin, Digital Design Media Manager.
If you love fashion, you won’t need us to explain the difference between a designer brand and a high street or commercial one. For those of you who aren’t quite sure, think: Missoni versus Mango. Burberry versus Banana Republic. Givenchy versus Jigsaw.
Of course, there are MANY differences between the high and low. The prices, the branding and the heritage, just to start.
What you might not be so clear on, is how the print designs in these two fashion markets differ. And if you’re a print designer hoping to cater to both the high and low, you’ll need to know exactly how.
Luckily, we at ...
and really make a piece of clothing shine. I have my own slow fashion brand, Simply Mayd, and the pieces themselves have very simple shapes so I really wanted the fabric to stand out. To be 'compliment-stopping' to a stranger in the street.
I loved learning textiles at school as the design process is so intricate, and I think it just makes designing clothes feel more complete when the fabric is your own too.
trying water colors, gouache paints and digital. In the end I found what worked best for me was to sketch my elements in black and white – not worrying about...
Written and produced by Erin, Digital Design Media Manager
If you're reading this you're on the path. You want to make a solid living from your surface prints and we congratulate you on that! You've made the decision to create the life you've always dreamed of.
But we don't want to lie. Making it in this competitive biz takes work and a lot of learning about the print industry and how it operates. The good news is, we've created a course so we can explain everything in-depth to you. Check out our Comprehensive Business Builder for Surface Designers and sign up for the waitlist right here.
So you know that, within the realm of fashion,...
My design journey started 8 years ago when I left my corporate job and went back to art school to study visual arts and a diploma in surface design.
I have always been creative and my childhood was filled with days of drawing and creating, so it was going back to my roots.
I love to paint and draw nature using mixed media, but particularly watercolor animals. I love the intricacies of their little faces and giving each of my animals a unique personality.
My work has a strong Australian influence and I love to inspire others to bring the essence of nature indoors through my designs.
Three students of our Comprehensive Business Builder for Surface Designers e-course had a burning question for Longina. Read on for her direct reply to them over Zoom (transcribed and repeated here for you lovely blog readers!).
Some clients do get very upset if you post without their permission and it's better to avoid that argument. It does rattle you because you think, Well I've done all the hard work, I should be able to post it. But ask for their permission first, or if it's already in the marketplace [in stores etc.] then it's usually fine to go ahead and...
I originally studied fashion design at Northumbria University in the UK and worked in the fashion industry as a designer for about nine years.
focusing on womenswear. I loved working with trends and seeing how those trends can be translated into something that works for that particular brand. It's always exciting to see your designs in store!
and very nearly studied Illustration! Most of my illustrations were fashion-focused which is what led me into the industry.
Working in the fashion industry I always worked very closely with the print designers and loved what they did, so I made the decision to gradually transition over and could not be happier!
As I try out new mediums and use different inspiration...
Words by Erin, Digital Design Media Manager
If you need a new paddling pool to dip your design toe, the SS22 Menswear shows offer a refreshing new place to swim.
Yes, granted, SS22 served up a lot of the looks we’ve come to expect of men's fashion (hello camo and palms), there were a number of newer trends that got us itching to get to work.
A nod to the nineties vintage look we already know and love, but with a point a difference. It says vaycay, easy-breezy yet cool. “Photo collages remind us of better times,” Bec says, so there's that sense of nostalgia there, too.
How to design the look:
We are particularly drawn to this Snapshot trend because it is amazingly simple to design for. Plunder your old family travel photos, or go out and take some scenic snaps. Apply a filter or two (we’d recommend Posterize or Soft light or just about anything that gives you...
We would go to see the beautifully decorated department stores. She also an artist and loves floral prints and when we'd find a dress with a print we'd analyze it and we were very particular about what we liked. So I think this is actually where my journey began looking back.
I photographed products and created catalogs but wound up designing packaging mostly. After about two years I felt I could do much more creative-wise. I always loved fashion and art and really wanted to pursue a job I where I wouldn't count the hours...